Pear 3 Encore

Pear 3 Encore, 6x6 Oil on canvas. SOLD

My little pear taking a bow.  :)

*****

My studies and sketches are now for sale along with my finished gallery pieces! If you would like to be among the first to see what's up for grabs from my studio, join my list here:

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The After Party

The After Party, 12x24, Oil on Canvas.  Currently at the Cole Gallery, Edmonds, WA.

Quiet but not silent, buzzing but not active.  A little ambiance and mystery.
I'm happy to say the gallery asked for this one (as well as the last post) so any interest in this painting  should be directed to the Cole Gallery in Edmonds, WA .

*****

My studies and sketches are now for sale along with my finished gallery pieces! If you would like to be among the first to see what's up for grabs from my studio, join my list here:

Subscribe to my mailing list

Email Address 

Sketches are done quickly to catch a particular lighting, time of day, mood and so on.  Sketches are initialed and unframed.

Studies are done from sketches applying information learned from the sketches.  Studies are initialed and unframed.

Finished gallery pieces  take considerably more time and effort applying what I've learned from the sketches and studies to enhance a particular concept.   Finished pieces are signed and framed.

Jazz Band

10x20 Oil on Canvas, $715

Ahhhh...  I call this painting Jazz Band for a reason.  It's not about apples.  Yes they are apples and guess what?  They are from my small orchard out back.  BUT - this painting is not an apple painting.  NOPE.  It's about ambience.

Consider them players in a scene.  Or in this case members in a band.  Corny?  Maybe.  It's the way I approach a painting though.  So I get an idea...  then hash it around for a while.. using still life for subjects.  Then I twist my goose-neck lamp to pieces trying to cast the appropriate shadow for my idea.  Take a relatively crappy photo of it - just in case the apples ripen and leaves dry out before the painting is done - which in this case happened. And get to work injecting whatever atmosphere is necessary to convey what's in my head.  Viola!

You see apples, I see big, ole, jazz band musicians on a dusky stage, thanking the crowd- they've been a great audience.

People used to say to me, "what's it like in your world Lori?'  Now you know.  :)

I really like this painting.  I consider it wildly successful.

*****

In the next week or so my studies and sketches will also be for sale along with my finished gallery pieces! If you would like to be among the first to see what's up for grabs from my studio, join my list here:

Subscribe to my mailing list

Email Address

Sketches are done quickly to catch a particular lighting, time of day, mood and so on.  Sketches are initialed and unframed.

Studies are done from sketches applying information learned from the sketches.  Studies are initialed and unframed.

Finished gallery pieces  take considerably more time and effort applying what I've learned from the sketches and studies to enhance a particular concept.   Finished pieces are signed and framed.

On Deck

On Deck, 12x12, oil on canvas. SOLD

Another little T-Ball painting. 

The Line Up

The Line Up, 12x24, oil on canvas.

This painting took a little longer than I expected.  My idea was to do a painting of these little T-Ballers with all their funny little gestures.  That's what I focused on and that's what I had but it just didnt feel right.

I added a faint, greyed green in the background as I was advised by other painters but it then became a landscape and that was NOT what I wanted.  The green PUT them on a playing field.  It was far to telling for my original idea so I painted it back out.

In the end, what I found was clear and obvious.  I dont know why any of us didnt pick it up sooner.  The original foreground was primarily Transparent Oxide Red with a bit of yellow.  It was competing with the uniforms terribly.  Once I realize what was happening, it was an easy fix.

I actually keep a check list in my studio that I got from an instructor several years ago.  I rarely refer to it anymore but that may change now.  Check for competing colors is on that list.

I bring this up for any painter who may be reading this.  Maybe it's only me, but after all these years, some of the basic issues still creep up and cause a little grief.   The good news is, I'm getting better at catching them.. eventually.  :)

Not titled, 12x9, oil on canvas.

I did this from an old black and white photograph of myself I found in a dusty old album under the basement stairway.  I photoshopped the heck out of it to increase values where it was really muddled.  What a crazy program that is.  It was incredible that it was able to find any information at all on the scratchy scanned photo.

Not titled, 12x9, oil on canvas.

And here we are again getting all loose and crazy.  To be honest, I'm having a ball!  I wonder where this is going to end up?

No title, 12x12, oil on canvas.

This is a remake of one I did SEVERAL years ago.  Here they are side by side:

If my photography was better, you'd be able to see the slightly lighter greens in the foreground of the painting on the right.  That said, it's mostly dark.  So, remakes are fun.

No title yet, 12x9, Oil in Canvas.

So I'm exploring something here.  I may be a little premature in posting this online for the whole world to see but maybe it's best to have a 'base line'.  That way progress can be tracked.

Lily Waltz, 18x18, oil on canvas.

I did this one earlier this spring.  I really like the dancy feel of it.  REALLY having fun with loose, lost edges.

A lesson in composition

River Dance, 12x12, oil on canvas.

After reading Ian Roberts book Mastering Composition for the second time I was excited to dive into another landscape.  He encourages a composition a day discipline which, for me, lasted two whole days.  

The act of creating numerous tiny sketches to find the best composition feels tedious and, I'll admit, boring at times.  But it's probably a really good idea. 

So, I wrestled with this painting and repainted several times until I finally called it quits.  It is what it is.  Time to move along.  

Serendipity

Serendipity, 16x20, oil on canvas.

Tonight is the Anniversary Show at the Cole Gallery and I was fortunate enough to have two pieces juried in.  

This piece was inspired by the flurry of hummingbirds around my feeder all last summer.  I ended up planting a row of a variety of honeysuckles as well as a butterfly bush last fall to see if I could attract even more of the little guys this spring/summer.  Time will tell. 

Dad

8x8, oil on canvas.

This is the last 8x8 canvas in my studio.  I'm expecting an order to arrive next week but then I'll have to re-ground and let them dry another week before I can proceed.  I'm already in portrait withdrawals. 

A Few Years Prior

8x8, oil on canvas.

So this is mom only a few (maybe 10?) years prior to the reference used for last painting. 
Aahh well, if I do more paintings of her at this stage maybe I can erase the images in my mind of her last moments.  But enough about that. 

I am hooked on portraits!  Having said that, I have a landscape on my easel now that I'm having fun with but I secretly want to get back to portraits.  I have a few ideas burning in the back of what's left of my mind that I really cant wait to try.  While I'm happy with the progression of these paintings I think they lack the seriousness and drama of, say, Rembrandts portraits.  Might as well aim high, right?

Dazed & Confused

8x8, oil on canvas

Some paintings are harder than others for different reasons.  This one pulled my grief chain a little.  I lost mom to Alzheimer's in 2012 but fortunately I had taken a short video clip of her just before she died.  A video can give several frames of different expressions for reference.  Sadly, she didn't give me very many expressions by that time.  I highly recommend taking videos and pictures of your loved ones before it's too late.

Up

8x8, oil on canvas

Painted, re-painted, photo'd, re-photo'd.  Sometimes a photo tells you as much as looking in a mirror but the mirror is much less of a hassle.  Still, this photo makes the whole painting look funky and, well, you'll just have to take my word for it that it just didn't photo well and I'm just not wanting to learn all the ins and outs of photography and Photoshop.  I like the painting a lot more than this image of it.  Ahh well, someday maybe I'll take the time to learn the idiosyncrasies of my camera.

I DID say I liked this painting but the truth is that in the reference picture it appears his head is tilted even more so upward.  I'm clearly a beginner at this but I'm hopeful I will see progress later on this year.  Onward and forward.  There are a lot of heads out there that need to be painted.

Seriously?

8x8, oil on canvas.

This is my 4th portrait.  My third one is going back on the easel today. This one, like the others, was cut from a photo with a lot of other information in it.  By the time it was cropped and enlarged it became somewhat fuzzy so I photoshopped it with the palette knife filter which helped to turn the subtle into definite plane changes.  With all that it was still challenging for me!

I am having so much fun that I'm going to start carrying my camera around so I can start collecting candid shots for painting!

It's All Good

Dustin, 8x8, oil on Canvas.

Two down.  I'm not sure I got the expression as I saw it but I was happy that his four year old son recognized him in the painting. 

A Brush With Portraits

Blake, 8x8, oil on canvas.
Thanksgiving, 2013.   This is Blake as I know him.  Lighthearted, compassionate and at times a little goofy. 

I have a curious need to paint portraits now.  I'm not sure where that is coming from but it's not going away so I'm going for it.  Bear with me while I get my bearings on this difficult new genre. 

I guess it's similar to painting still life in that you paint what you see but I'm finding it does help to know a little bit about anatomy - which I don't - but I'm discovering as I go along.  For instance, why doesn't the mouth look right??  Because of subtle plane changes around the muzzle that I didn't consider.  Kind of makes a difference.  Especially if the plane is going in the wrong direction.  Yikes. 

And of course I didn't start with a standard, out of the box, straight forward pose.  This pose defies some of the standard proportions I've read about so I did a little eyeballing.  Speaking of which, (the eyeballs) are a little larger than life but kind of helps the overall expression, don't you think?

Breakthrough

Breakthrough, 12x12, oil on canvas.

New year,  new challenges.  Every year my husband and I put together a list goals for the upcoming year.  Resolutions?  Not really.  Just putting something in the cross hairs so we don't fly aimlessly through the year.  A path but certainly not a concrete path.   A little direction I suppose. 

 My challenges for this year strangely resemble last years challenges to the effect of: time in the studio, blog posts..  blah, blah, blah. This year I added a few cheat notes that I read on the  Oil Painters of America Blog .  Here is a list from that post (Technically, this is a subcategory of "The First of Three Elements of One Artist Goal Plan".  Also, I hope I'm not infringing any copyrights by listing them here)  Please see the link above for expanded info and full blog post.  It's quite interesting.

1. Get better
2. Painting from life and on location
3. Seeing better as an artist
4. Continue developing a critical eye
5. Expanding my boundaries.

As far listing these as goals, "get better" and "Seeing better as an artist" is a little vague for me.  How do I put a check mark by that?  Also #4 is a little weak in my opinion.   I think I need something less abstract.  Something I can measure without question.  Something like, "enter a show".  That's something I can do - or not do.  And by Dec 31st of 2014 I can either put a check mark by it or not.

Vague or not it provided me with some sound, encouraging direction for my 2014 painting year.  And he (Roger Dale Brown, OPA) provides us with a little insight as to what each subcategory looks like.

I particularly like the quote he added with which coincides nicely with my yearly goal of time management.  I pasted it below:

“Nothing in this world can take the place of persistence. Talent will not; nothing is more common than unsuccessful people with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent. The slogan ‘press on’ has solved and always will solve the problems of the human race.”
- Calvin Coolidge 

So, persistence will be a subcategory for my 2014 goal plan under "time in the studio".  In fact, I may just print off a copy of this quote and put it next to my easel. 

Good Fortune

Good Fortune, 12x12, oil on canvas.

 

A recent interest in birds led me to incorporate them into my paintings.  Still, my focus is conceptual and more than pretty paintings my objective is to interpret a current emotion or frame of mind through painting. 

 

Feelings are abstract by and large.  Your interpretation of 'Good Fortune' may be a high key, light blue image. Mine remains a little darker still.  And simple.  What is a good fortune to you and to me may differ wildly. 

 

I just finished the book The Cure For The Common Life by Max Lucado which started some soul searching for my own 'sweet spot' as he puts it.  So far, I've discovered that I am, by nature, a deep thinker.  I like to research and test theories.

 

Enough said on that subject except that it is what drives my spin on artwork. 

 

I may have mentioned in an earlier post that a high school art teacher once said, anyone can draw a picture, it takes a REAL artist to put emotion into it.  Hmmm.   Real artist or not, I stand for hours daily, in front of an easel, imagining how to say what I feel with paint.

Midnight Eerie

Midnight Eerie, 12x9, oil on canvas.

Better late than never, I guess.  A spooky little painting better suited for October than early winter.  Still, it's sitting over my TV and I like looking at it.

So this pumpkin is what is left form my pumpkin patch.  My favorite pumpkins, Snack Jacks, have hull-less (or naked) seeds.  They are getting increasingly hard to get ahold of and I'm wondering if the day will come when I'll have to start shelling seeds again... bummer. 

Nostalgic Interlude

Nostalgic Interlude, 24x36, oil on canvas. 

Another edited version of an old slide.  Those who would know who these people are have all passed away.  However, my mothers childhood friend guessed they may be my great grandparents.  Who knows?  But the connection between the couple was simply adoring to me.  And the fact that someone caught it on camera was a gift!

It turns out that this one needs a little more editing.  The purple is a bit too strong.  I've been given some good advice on how to approach it but I have 2 events to paint for right now so my easel is booked until February!  This one will have to sit for a while. 

Nostalgic Epitaph

Nostalgic Epitaph, 14x18, oil on canvas.

Honestly, I think this is one of my favorite paintings. Sometimes I look at it and wonder who painted it.  I'm the red head running.  The others are my sister and brother.  It's a collaboration of two different slides that I found in my parents collection. 

 

I found myself feeling a little nostalgic while attempting to transfer slides to my computer.   Much of this painting had to be invented due to poor quality reference but I was really happy with the result. 

Morning Sun

Morning Sun, 8x6, oil on canvas.

It appears my husband is a cow collector.  He buys a few.  They have babies.  He decides to dump the 'herd'.  Then, as they are trailering down the road, he is already on craigslist making yet another transaction deal for more cows. 

Our newest cows were show cows and were BEAUTIFUL.  As far as cows go.  Sadly, and for the first time on our farm, we lost both babies before the cows even started to show (for the record, cows always look pregnant to me).  So we brought in a bull for round 2.  Bingo!  Last spring we had a set of twins and a single.  But sad to say, all heifers.  Bummer for us because we needed a steer for the freezer.  We did a little bovine trading and now have a handsome bull. 

The painting above is one of the heifers from last summer.  She took a good picture so I couldn't resist the opportunity to paint her. 

Sparkle

Sparkle, 6x6, oil on canvas.

 

The third and final in my baby bird grouping.  I think they are barn swallows.  The kind that used to give me grief by building mud nests under my eaves. 

 

And Viola!  Fini!  Framed, hung in a little cutie grouping for all who use my powder room to see!

 

 



 

 

 

Sunshine

Sunshine, 6x6, oil on canvas.

Late last summer I found 3 baby birds hopping back and forth along my fence line outside my kitchen window.  Fortunately, I had the forethought to grab my point and shoot camera and start clicking away.  Unfortunately, pictures taken through a window and at a distance make for shakey reference material. It is what it is.  I took a few artistic liberties, framed them lightly and hung them as a grouping.  So sweet!

A side note:  It turns out that reference material is just that... reference.  One does what one will.  That is to say, some may copy inch for inch, others refer to and take many liberties.  I prefer the later when using a photo.  In fact, I extend the "liberties" liberally when painting from life as well.  It is, after all, a painting that I'm making - not a photo!

My reference photos, cropped, enlarged and on an 8x10:

Morning Glory

Morning Glory, 6x6, oil on canvas.

I'm seeing a trend in my posting.  I post a few times, fall away, then start posting again.  Regardless of my posting frequencies, I continue to paint away. 

That said, my normal painting schedule was interrupted for the month of October as I dipped my toes into the pool of teaching.  I was fortunate for the opportunity to take on 2 very enthusiastic students.  It was as enlightening to me as I hope it was to them.  Teaching, it seams, re-enforces the lessons back onto the teacher. 

It was intended to be a "workshop" style experience but we added several extra classes just for grins consuming most of October. It was a good experience, to say the least.  But now it's over.

Now it's time to get back to some serious painting - and posting - again.  I have several events I want to paint for and so many ideas floating around in my head I can hardly wait to get back into the game full time!

Summer Gala, 8x8 oil on canvas.

Some scary news yesterday.  My horse was noticeably "ouchy" when he walked in from the fields for dinner.  Usually, it's a race between horse and goats (who always get a head start).    But this was more than ouchy and I suspected it was his shoulders or hips because he's 30 years old after all and has had a hard time balancing for the shoer for some time now.  So we called Doc C out.  Nope.  It was in fact, founder.  We knew it was a distinct possibility but expected it more during the spring, not late summer.  The unusually wet weather made it possible according to the vet. 

Spring of 2012 we began to turn him out 24-7 as opposed to locking him up in the paddock at night.  Doc said in light of his age, dramatic weight loss from the hard winter and dental condition what he needed was grass.  Not hay.  Regardless of the threat of founder.  So doc did some dental work on what was left of his teeth, we put him on rice bran morning and night along with his vitamins and turned him out to graze the rest of the 24 hours.  He looked fabulous by the end of that summer.

The rice bran and grass helped him hold his weight all winter and I was always impressed to see him running in with the goats for dinner.  He had a beautiful coppery coat and silky flaxen mane.  He's an Arabian.  Need I say more? 

This spring he even shed his coat for the first time in several years.  Wish I had known about rice bran earlier.  However, we had some fluxuating weather this late summer which caused the grass to grow hot and sugary.  Also, says doc, the days are starting to shorten and apparently that affects the pituitary gland.  That's about all I know about that.  There was also some mention of cushings disease.

My beautiful, trusty friend who taught me to ride and face my fears is now on bute and some other liquid that goes under his tongue.  10 days is the magic number. 

Doc says if we cant get the inflammation and pain down in 10 days then we have to consider his options.  There aren't to many for an old gelding.  He's already out to pasture.   

Summer Song

Summer Song, 8x8 oil on canvas.  www.studio54gallery.com

Ahhh, the fleeting days of summer.  Here in the PNW we have been experiencing a few previews of fall.  A little misty, a few short showers, a hazy day.  Currently, as I look out my window, I see a spot of cerulean blue surrounded by wispy strokes of warm grey with dabs of lemon yellow atop.  It's all good.  Change is good.  I probably wouldn't appreciate summer so much if it were here all the time.

I promised myself I would get a portfolio of landscape photos this summer so I would have much to keep me busy this winter in the event I wanted to branch out from my still life.  Unless I get out soon my photos will be lack luster in that they will be lacking luster.  No sunshine, no strong lights against deep shadows.  No heat.  Oh well, I did go to Jackson, WY this summer and got plenty of photos there.  I also got a little plein air in this summer and so have some studies to work with.  All that is in the event I migrate to landscape. 

I have migrated somewhat but not to landscape.  I took a workshop with Michael Maczuga on portraits.  Whatever possessed me to do that???  I can only say that I am mesmerized by his work and wanted to get inside his head if at all possible and see how it ticks in there.  Following the workshop I immediately ordered the Asaro Head and went to work.  So far, I am not a portrait artist.  :(    But I haven't given up.  I did, however, learn a bit from Mr. Maczuga and how he thinks.  One has to be tuned in to pick up subtle clues about the inner workings of others.  It's the inner workings that translate to the canvas, right?  We paint our character - so to speak. 

Okay, enough about that.  With the exit of summer comes the re-entry of Routine, my long time friend.  Routine and I go way back.  We indulge in each other and melt into the studio while the leaves drop and the wind blows.  Just me and Routine.  We have long winters here in the PNW but they are survivable by and large. 

Perhaps I'll squeeze in a trip to Arizona again.  :)

Summer Heat

Summer Heat, 8x8 oil on canvas.  www.studio54gallery.com

I started painting pansies last winter from a photo.  My initial impression was how difficult flowers were going to be compared to my many foodie subjects.  The reality is, it's all the same in that I approach it the same way one would eat an elephant:  One bite at a time!   Rather, one petal at a time. :) 

I became hooked on pansies and did several studies but was limited to the one and only photo I had and superimposed pansy faces to meet my paintings needs as necessary.  Frustrated because no fresh pansies were available at the time.  I waited.. 

Once pansies hit the shelves I purchased several colors and took many (MANY) photos for my next winter paintings.  Finally, I could set up my pansies in my light box and begin painting from life!  Glorious, glorious painting from life!  Woo hoo!

Boy-- did I have a lot to learn about pansies.  Apparently a COOL weather flower, mine didn't last long because once I was done with one painting I set it in the sun to "flourish".  It got leggy and awful.  So I hit the stores once again only to fine out that they are sold out for the summer and wont receive anymore until Fall.  So I wait again... 

Fortunately, I still have my leggy, awful leftovers (now in a cooler locale) and I can set them up in my light box.  And because I'm an artist, ;)   I can enhance them from leggy to squat and from scraggly to abundant.  I can push them and pull them and prop them and you, the viewer, will never know the difference, unless I tell you.  So this is my little secret. 

Don't tell anyone.

Pansies and Tall Creamer

Pansies and Tall Creamer, 6x6 oil on canvas.

It's been quite some time since my last post and for that I apologize.  It's been a bit of a whirlwind around here and I guess my blog took second fiddle to other projects. 

The good news is, I signed a contract with the Cole Gallery in Edmonds WA (my page)!  That was back in March and had my first sale March 30th!  I had my first show (April First Glance Artist) in April and sold 3 more paintings in May!

I've been very busy in the studio and I'm learning to enjoy the whole process of being a gallery artist from finding, growing and purchasing props, developing compositions and self critique to choosing and framing the pieces - a process I used to despise, art shows, art walks, meeting other artists, the list goes on..  The very best part is that the gallery does the marketing.  I get to focus on the creative stuff and I'm really enjoying that. 

They are really good people there and the city of Edmonds is unique to me.  It's artsy.  There are several galleries and an Art Walk every month on the third Thursday.  And it's packed!  Even in April when it was cold and rainy.  People just kept coming in.  Of course Denise, the owner, caters it beautifully and rehangs a new show every month for a fresh visual treat. 

I am in a really good place these days and I think I'm just going to enjoy the ride.  I can hardly believe my art is hanging next to some world class artists like Michael Maczuga and Ilene Gienger-Stanfield!

And on that note, I signed up for a workshop with Michael Maczuga in August.  I'm excited/nervous about it.  I am in such awe of his work.  I hope I can absorb something, anything, from the experience and walk away a little better painter!

Gerbera Daisies, 20x16, oil on canvas.
This dramatic still life was one of the larger works holding up my regular postings of my smaller, 6x6 paintings.  I did most of this painting from a photo and had to manipulate the light a bit in order to put "my spin" on it. 

Thinking a painting through before the brush touches the canvas is becoming a regular part of my repertoire.  You'll find me alone in my studio, sitting my my chair, often without the radio playing, simply looking at my props and/or photos considering possible outcomes.  What do I want from this painting?  How can I play it?  And the big question:  How much Transparent Oxide Red do I have left??? 

Amber Jar

Amber Jar, 6x6, oil on canvas.   Click here to bid.

I'm falling a little behind on my daily paintings due to working on larger projects.  This painting was done using a little jar I bought in Sedona. I cant get away from this color combo:  Transparent Oxide Red/ Prussian Blue.  I guess there is a richness to them that just draws me in.

Pansies and Tin

Pansies & Tin, 16x12 oil on canvas

This recent painting taught me the value of color temperature.  The background was done with prussian blue and transparent oxide red (my two favs).  My first foreground was a cool mix and very light.  I scraped and explored several options until I landed on this one.  Eureka! My intention was to bring attention to the foreground.  BAM!  There she is!  So in fact, the placement of warm and cool colors can play significant roles if you think them through.
To bad I dont use blue in my house...

Candle Snuffer oil Painting

Candle Snuffer, 6x6 oil on canvas.  Click here to bid

Saturdays show at the Auburn Wine and Caviar Company was a good experience and exhausting.  It was so helpful to have so many familiar faces show up for support!  A big fat "thank you!" to all of you who were able to attend!

 This week I'm back to a somewhat normal schedule and I'm looking forward to hiding out in my studio.  I want to continue my quest for capturing space and atmosphere on a small canvas.

Forkful of Blueberries oil painting

Forkful, 6x6, oil on canvas. Click here to bid

I am HAPPY to announce that I will be having a show at the  Auburn Wine and Caviar Company!
I will be there from 4-8 PM Saturday, Jan 26th 2012.  Wish me luck.  I had in my mind a spring show which would give me plenty of time to prepare but the owner surprised us (my husband and I) with this slot. How could we say no??
This will be a new experience for me but I was told this winery has done this before.

As usual, I've let my paintings sit unframed and so had to order several at once and I'm crossing my fingers that they arrive in time.  If not, well, it is what it is, right?  My 6x6's do very well on a table top easel and I can always go that route.  And may have to anyway because I dont think there will be a whole lot of wall space to hang framed paintings.

I think my lesson so far is to always be prepared for a show.  You never know when the opportunity may spring its self on you!

Black Seedless

Black Seedless, 6x6 oil on canvas.  click to bid

I've recently come to the conclusion that after several years of searching I now believe I know who a I am as a painter!  That is, I know what I connect with, what I gravitate to, what I know and most importantly, what I want out of a painting.

I remember the days when I painted anything at all that I could find to paint because I wanted to paint something!  Just get that brush wet!  I still get that way but now I find myself traveling down a frequently traveled road painting much the same way, similar subjects with quite possibly similar messages - whatever that is.   And I'm grateful for that.

I believe this is due to daily research through books, magazines (Southwest Art is a great one), internet and the occasional trips to galleries and museums.  Looking at a lot of really good art and finding myself somewhere in the mix. 

I highly recommend that anyone wanting to become a better anything to immerse themselves and focus on their interest rather than spread themselves over a variety of activities.  Remember the saying,  "A Jack of all trades and a master of none" ?

Well, it may be some time before I master this trade but I've come a long way and now I can finally see where I'm going!

Apple 1

Apple 1, 6x6 oil on canvas.  Click to bid.

Whew!  I dont know about you but the holidays can sometimes feel a bit like a marathon at times!  I'm feeling like I just finished a race and I'm back in the locker room for decompression.  :)

I am putting the finishing touches on a painting I am doing for a Daniel Edmondson online painting workshop and will post it soon.  I have only taken 3 workshops (two of them were out of state and this one being online) and one of the biggest lessons I've learned is that painting is like handwriting.  We paint like we paint.  We can learn a great deal of helpful technical information to get us past difficulties but at the end of the day and away from the instructor, my paintings are a Lori Twiggs.  I see what I see and translate it as such.  That said, I'm learning how to use warm and cool colors to their advantage, light and shadow, hard and soft edges, composition...  and so forth.  I refer to my notes periodically for refreshers.  But, it's still a Lori Twiggs.  Fortunately, I'm okay with that.

The lesson now is being completely satisfied with NOT being Richard Schmid, David Leffel and a myriad of other high level painters that I've studied.  BUT I have learned a great deal from them and by comparing some of my earlier works to my more recent works, I believe I've been able to apply much of what I've learned and enhanced, albeit  improved, my painting.  See examples below:

The differences being a better use of all of the a fore mentioned issues.  At first glance the biggest differences I see here are composition (spacial), warms vs. cools and edge control.   I wonder if, in a couple of years, I'll be using my 'More Recent' painting here as an example of my 'Early Stuff'  that I will have then learned and grown from.   But until then I will continue to read my books and magazines, watch my DVD's and attend a workshop or two then wander to my studio for practical application.  I suppose only time will tell.

Pear 2

Pear 2,  6x6 oil on canvas.  Click here to bid

I lied.  Here is the third painting up for grabs.  I decided not to wait until after the holidays (as I mentioned in my last post) to post again.  So here is number 3 of the 4 shown below:

 

The top apple is also currently being auctioned.  

I've become a serial painting killer in my studio.  Lately, I find myself picking up 'finished' paintings to re-work or make changes just for the heck of it.  Just yesterday, I had a cute little painting but I just couldnt leave it alone.  I wonder what would happen if I took out the green leaf and put in red grapes??  Well, you dont know if you dont try, right?  And so it goes.  More on that later...    :)

Apple 2 Auction

Apple 2, 6x6 oil on canvas.  click here to bid

Second painting up for grabs, so to speak.  I think I will wait until after Christmas to post the others.  I dont know about you but get a little taxed about now with the upcoming holidays. 

Black Grapes

Black Grapes 10x8, oil on canvas.

Now I have a dilemma.  I wanted to begin posting my paintings to the Daily Paintworks auctions as I finish them but I'm back logged ...  and it's the Christmas season.  Both are good things but experience tells me not to start an auction that will end on a holiday - or the Super Bowl Game.  Yeah, I didnt really think that through last year.   :(

At any rate, this painting was an attempt to paint a little more atmospheric than I usually do.  I think the image may be a bit darker than the painting.  For future paintings I think I will just sit and look at the set up for a while and work out the problems BEFORE dipping into paint!

Pear Auction

Pear 1, 6x6 oil on canvas.  Click here to bid in DailyPaintworks Auction!

I'm back from my workshop and I'm back in the game! After a several month sabbatical following my mothers passing I have regrouped and I'm re-directed!  I'm back in the auction game but this time around I'm not starting at one cent or one dollar.  I've upped the starting bid to $29 and I'm hoping for the best.

I also have a few other plans for 2013 simmering on the back burner that I am excited about.  It appears that the new theme for 2013 is taking risks!  I have a solo show in the works but no details to share at the moment.   But I can say that I'm stepping out of my comfort zone and taking a leap of faith! 

The workshop I attended was with Qiang Huang in Sedona AZ.  It was an amazing experience. He was organized, informative and very approachable and a bit of a comedian!  I'm really looking forward to getting into my studio tomorrow to begin applying my new found knowledge!  Thank you Qiang!

Apple Pear Quad, 4 6x6's oil on canvas.
So I had this idea.  Do something small.  Something easy.  Something with instant gratification.  Well, I got the small part right.  It started with a single pear on a 6x6.  But in truth, nothing is ever easy.  If it were I would get horribly bored, almost immediately, and go eat soup.

My last painting, which I refuse to post online, was a good idea in the beginning but grew into the incredible Hulk.  I got lost in the zone and my pears grew to abnormally large proportions and thus the whole painting took on an Amazon, grotesque, disfigurement.  So I thought, lets start over. This time in baby steps.  And thus, my little quad.

My newest epiphany:  never go larger than life. :(

The easy part got lost in translation.  Sure, it's just a pear.  But it's a pear with several colorations each in light and shadow.  Meaning each coloration must have a light, shadow, and varying degrees of each in order to produce the orbital or pearish shape.  The leaves I veered from reality and pushed the color from blue-greens towards orange-green.  And then I set it all back, hopefully giving it some depth on a little 6x6, by using a darker version of the foreground in the background. 

Then the small part was sacrificed when I decided to do a tiny series.  Yikes.  One of the apples originally had apple blossoms which were executed beautifully but looked horrible in context so I scraped and re-painted.  Thus, the instant gratification was sacrificed altogether.

So my idea morphed.   Happily, into a better idea!  :)

Oh well, so much for that.  Now I have another idea...

Another Geranium Painting

Red Geraniums 2.

Last Geranium painting, I promise... maybe.  I'm preparing for my workshop by painting hot and dirty all week.  Something I should be doing every week but continually found myself distracted by errands and tasks that, for whatever reason, came first.  Not so this week though.  I'm out in the studio early and take few breaks.

I had a goal. Have a goal.  My goal is to have a goal.  That is, I've allowed myself to tread water until the end of Dec but by the end of Dec I will have a plan.  I have several pots simmering on the stove but only for a little while longer.  Then I will have to choose one and go with it. 

Funny thing about goals.  They resemble ambition.  And ambition is only a faint memory to me these days.  It's easy to be ambitious in my big comfy chair curled up with a Seth Godin book but putting it into action means taking risks and I'm plum out of risk.  But that doesnt matter anymore because I'm also plum out of status quo.   So this is kind of an exciting time for me.  I'll be turning  a corner, trying something new, taking risks, so on and so forth.

Remember the definition of insanity:  Doing the same thing over and over and expecting different results.

ERGO - I'll be jumping off the insanity swing.  It's entirely possible I'll fall a few times.  Scratch my knees or whatever but having a goal will mean getting back up and trying it again - differently.  Hopefully with fewer falls.  But whatever, the falls are part of the ride, right?