Mini Pumpkins

Mini Pumpkins, 8x10, Oil on Canvas, SOLD

I'm not sure what's happening but lately, my images are uploading strangely.  They seem to look fine in DPW and FB but not on blogger.  FYI: The grapes are not so blue at these appear on my monitor.  

Also, possibly good news:  I have my eye on a photography light box so hopefully, I will be experimenting with that next week!  

*****

My studies and sketches are now for sale along with my finished gallery pieces. If you would like to be among the first to see what's up for grabs from my studio, join my list here:

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Grapes of Wrath

Grapes of Wrath, 8x8, Oil on Canvas, Click to Bid

I'm getting a light box.  That's all there is to it.  I've taken multiple images of multiple paintings to get acceptable images and I think this is the last straw.  

It's been one of those days. Dishwasher issues, photo issues, computer issues...

Otherwise, HAPPY NEW YEAR!  I think I might start celebrating a little early. What time is it now?

*****

My studies and sketches are now for sale along with my finished gallery pieces. If you would like to be among the first to see what's up for grabs from my studio, join my list here:

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Covert

Covert, 8x8, Oil on Canvas, 

Another little painting capitalizing on chiaroscuro.  I'm finding that these highly textured paintings are really hard to photograph.  Does anyone have any advice for a photography novice?

Sweet Cream

Sweet Cream, 6x6, Oil on Canvas, Click to Bid

I have an idea for a painting.  Unfortunately, I have to order canvas because I dont have the right size for my idea, bummer.  That means I'm at least 2 weeks out.  However, that gives me plenty of time to do several little studies to hash out a doable palette and what not.

Jarred

Jarred, 8x8 Oil On Canvas, SOLD

I think this is the last of my pear studies. They were all done with a fairly atmospheric setting and neutral purply background/foreground for a Shakespearean feel...  kind of, sort of, maybe....

At any rate, I finished my gallery piece entitled, Encore - posted to my FB page Dec 9th.

So onward and forward to my next series of studies and exercises!

Painting Makeover #1

  

Old version from 2011

New Version 2014

Pansy Tea, 8x8, Oil On Canvas, SOLD

I found myself re-organizing my artwork because it was once again beginning to take over my house. In the process I found a short stack of old pieces that I liked but really didnt represent my style at this point.  So --  what to do, what to do....  Hmmmm.

I got a wild hair and decided, what the heck, if they're just going to sit in a closet I might as well try re working them and see what they would look like in the manner I paint today!  Kind of risky.  I could ruin them all together.

I couldnt remember my palette at the time so I had to experiment a little but once I got that figured out the rest was CAKE!  :)  And great fun!

So here is the first makeover.  I am seriously recommending this to any artist out there with a closet of oldie, moldy but goldies.  (Or am I the only one?)  Yes, there is risk involved.  It could go south.  But it might not.  And it is a terrific exercise in self critique and execution!

So, what are you waiting for??  :)

It's A Wrap

It's A Wrap, 6x6 Oil on Canvas, SOLD

I used Kinnikinnick berries to give this little pear study a holiday flavor.
Our power was out for a few days so I set this up by a window instead of using my light controlled shadow box.  There was so much ambient light in the house that it was side lit as well as back lit.  My artist friend Sharman Owings pointed out the confusing configurations of light/shadow that resulted so I repainted when the power was back on and this is the much better result!

*****

My studies and sketches are now for sale along with my finished gallery pieces. If you would like to be among the first to see what's up for grabs from my studio, join my list here:

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Pear 6 Ovation

Pear 6 Ovation, 6x6 Oil on Canvas  

I'm working on getting an 'old world' feel but I still want a little pop of color.

Cheers

Pear 5 Cheers, 8x8, Oil on Canvas, Click to see the auction on Daily Paintworks

This time on an 8x8.  I used a tarnished silver goblet for what I think is a Shakespearean flavor.  :)

Pear 4 Final Bow, 6x6, Oil on Canvas.  See auction page

Part deux.  This was done on a heavily textured canvas.  I almost always re-coat my canvas with oil ground but this was re-coated over a previous painting.  I think I prefer it and may work towards more texture when I re-coat with oil ground in the future.  I think it makes it a little more 'painterly'.  :)

*****

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Pear 3 Encore

Pear 3 Encore, 6x6 Oil on canvas. SOLD

My little pear taking a bow.  :)

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The After Party

The After Party, 12x24, Oil on Canvas.  Currently at the Cole Gallery, Edmonds, WA.

Quiet but not silent, buzzing but not active.  A little ambiance and mystery.
I'm happy to say the gallery asked for this one (as well as the last post) so any interest in this painting  should be directed to the Cole Gallery in Edmonds, WA .

*****

My studies and sketches are now for sale along with my finished gallery pieces! If you would like to be among the first to see what's up for grabs from my studio, join my list here:

Subscribe to my mailing list

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Sketches are done quickly to catch a particular lighting, time of day, mood and so on.  Sketches are initialed and unframed.

Studies are done from sketches applying information learned from the sketches.  Studies are initialed and unframed.

Finished gallery pieces  take considerably more time and effort applying what I've learned from the sketches and studies to enhance a particular concept.   Finished pieces are signed and framed.

Jazz Band

10x20 Oil on Canvas, $715

Ahhhh...  I call this painting Jazz Band for a reason.  It's not about apples.  Yes they are apples and guess what?  They are from my small orchard out back.  BUT - this painting is not an apple painting.  NOPE.  It's about ambience.

Consider them players in a scene.  Or in this case members in a band.  Corny?  Maybe.  It's the way I approach a painting though.  So I get an idea...  then hash it around for a while.. using still life for subjects.  Then I twist my goose-neck lamp to pieces trying to cast the appropriate shadow for my idea.  Take a relatively crappy photo of it - just in case the apples ripen and leaves dry out before the painting is done - which in this case happened. And get to work injecting whatever atmosphere is necessary to convey what's in my head.  Viola!

You see apples, I see big, ole, jazz band musicians on a dusky stage, thanking the crowd- they've been a great audience.

People used to say to me, "what's it like in your world Lori?'  Now you know.  :)

I really like this painting.  I consider it wildly successful.

*****

In the next week or so my studies and sketches will also be for sale along with my finished gallery pieces! If you would like to be among the first to see what's up for grabs from my studio, join my list here:

Subscribe to my mailing list

Email Address

Sketches are done quickly to catch a particular lighting, time of day, mood and so on.  Sketches are initialed and unframed.

Studies are done from sketches applying information learned from the sketches.  Studies are initialed and unframed.

Finished gallery pieces  take considerably more time and effort applying what I've learned from the sketches and studies to enhance a particular concept.   Finished pieces are signed and framed.

On Deck

On Deck, 12x12, oil on canvas. SOLD

Another little T-Ball painting. 

The Line Up

The Line Up, 12x24, oil on canvas.

This painting took a little longer than I expected.  My idea was to do a painting of these little T-Ballers with all their funny little gestures.  That's what I focused on and that's what I had but it just didnt feel right.

I added a faint, greyed green in the background as I was advised by other painters but it then became a landscape and that was NOT what I wanted.  The green PUT them on a playing field.  It was far to telling for my original idea so I painted it back out.

In the end, what I found was clear and obvious.  I dont know why any of us didnt pick it up sooner.  The original foreground was primarily Transparent Oxide Red with a bit of yellow.  It was competing with the uniforms terribly.  Once I realize what was happening, it was an easy fix.

I actually keep a check list in my studio that I got from an instructor several years ago.  I rarely refer to it anymore but that may change now.  Check for competing colors is on that list.

I bring this up for any painter who may be reading this.  Maybe it's only me, but after all these years, some of the basic issues still creep up and cause a little grief.   The good news is, I'm getting better at catching them.. eventually.  :)

Not titled, 12x9, oil on canvas.

I did this from an old black and white photograph of myself I found in a dusty old album under the basement stairway.  I photoshopped the heck out of it to increase values where it was really muddled.  What a crazy program that is.  It was incredible that it was able to find any information at all on the scratchy scanned photo.

Not titled, 12x9, oil on canvas.

And here we are again getting all loose and crazy.  To be honest, I'm having a ball!  I wonder where this is going to end up?

No title, 12x12, oil on canvas.

This is a remake of one I did SEVERAL years ago.  Here they are side by side:

If my photography was better, you'd be able to see the slightly lighter greens in the foreground of the painting on the right.  That said, it's mostly dark.  So, remakes are fun.

No title yet, 12x9, Oil in Canvas.

So I'm exploring something here.  I may be a little premature in posting this online for the whole world to see but maybe it's best to have a 'base line'.  That way progress can be tracked.

Lily Waltz, 18x18, oil on canvas.

I did this one earlier this spring.  I really like the dancy feel of it.  REALLY having fun with loose, lost edges.

A lesson in composition

River Dance, 12x12, oil on canvas.

After reading Ian Roberts book Mastering Composition for the second time I was excited to dive into another landscape.  He encourages a composition a day discipline which, for me, lasted two whole days.  

The act of creating numerous tiny sketches to find the best composition feels tedious and, I'll admit, boring at times.  But it's probably a really good idea. 

So, I wrestled with this painting and repainted several times until I finally called it quits.  It is what it is.  Time to move along.  

Serendipity

Serendipity, 16x20, oil on canvas.

Tonight is the Anniversary Show at the Cole Gallery and I was fortunate enough to have two pieces juried in.  

This piece was inspired by the flurry of hummingbirds around my feeder all last summer.  I ended up planting a row of a variety of honeysuckles as well as a butterfly bush last fall to see if I could attract even more of the little guys this spring/summer.  Time will tell. 

Dad

8x8, oil on canvas.

This is the last 8x8 canvas in my studio.  I'm expecting an order to arrive next week but then I'll have to re-ground and let them dry another week before I can proceed.  I'm already in portrait withdrawals. 

A Few Years Prior

8x8, oil on canvas.

So this is mom only a few (maybe 10?) years prior to the reference used for last painting. 
Aahh well, if I do more paintings of her at this stage maybe I can erase the images in my mind of her last moments.  But enough about that. 

I am hooked on portraits!  Having said that, I have a landscape on my easel now that I'm having fun with but I secretly want to get back to portraits.  I have a few ideas burning in the back of what's left of my mind that I really cant wait to try.  While I'm happy with the progression of these paintings I think they lack the seriousness and drama of, say, Rembrandts portraits.  Might as well aim high, right?

Dazed & Confused

8x8, oil on canvas

Some paintings are harder than others for different reasons.  This one pulled my grief chain a little.  I lost mom to Alzheimer's in 2012 but fortunately I had taken a short video clip of her just before she died.  A video can give several frames of different expressions for reference.  Sadly, she didn't give me very many expressions by that time.  I highly recommend taking videos and pictures of your loved ones before it's too late.

Up

8x8, oil on canvas

Painted, re-painted, photo'd, re-photo'd.  Sometimes a photo tells you as much as looking in a mirror but the mirror is much less of a hassle.  Still, this photo makes the whole painting look funky and, well, you'll just have to take my word for it that it just didn't photo well and I'm just not wanting to learn all the ins and outs of photography and Photoshop.  I like the painting a lot more than this image of it.  Ahh well, someday maybe I'll take the time to learn the idiosyncrasies of my camera.

I DID say I liked this painting but the truth is that in the reference picture it appears his head is tilted even more so upward.  I'm clearly a beginner at this but I'm hopeful I will see progress later on this year.  Onward and forward.  There are a lot of heads out there that need to be painted.

Seriously?

8x8, oil on canvas.

This is my 4th portrait.  My third one is going back on the easel today. This one, like the others, was cut from a photo with a lot of other information in it.  By the time it was cropped and enlarged it became somewhat fuzzy so I photoshopped it with the palette knife filter which helped to turn the subtle into definite plane changes.  With all that it was still challenging for me!

I am having so much fun that I'm going to start carrying my camera around so I can start collecting candid shots for painting!

It's All Good

Dustin, 8x8, oil on Canvas.

Two down.  I'm not sure I got the expression as I saw it but I was happy that his four year old son recognized him in the painting. 

A Brush With Portraits

Blake, 8x8, oil on canvas.
Thanksgiving, 2013.   This is Blake as I know him.  Lighthearted, compassionate and at times a little goofy. 

I have a curious need to paint portraits now.  I'm not sure where that is coming from but it's not going away so I'm going for it.  Bear with me while I get my bearings on this difficult new genre. 

I guess it's similar to painting still life in that you paint what you see but I'm finding it does help to know a little bit about anatomy - which I don't - but I'm discovering as I go along.  For instance, why doesn't the mouth look right??  Because of subtle plane changes around the muzzle that I didn't consider.  Kind of makes a difference.  Especially if the plane is going in the wrong direction.  Yikes. 

And of course I didn't start with a standard, out of the box, straight forward pose.  This pose defies some of the standard proportions I've read about so I did a little eyeballing.  Speaking of which, (the eyeballs) are a little larger than life but kind of helps the overall expression, don't you think?

Breakthrough

Breakthrough, 12x12, oil on canvas.

New year,  new challenges.  Every year my husband and I put together a list goals for the upcoming year.  Resolutions?  Not really.  Just putting something in the cross hairs so we don't fly aimlessly through the year.  A path but certainly not a concrete path.   A little direction I suppose. 

 My challenges for this year strangely resemble last years challenges to the effect of: time in the studio, blog posts..  blah, blah, blah. This year I added a few cheat notes that I read on the  Oil Painters of America Blog .  Here is a list from that post (Technically, this is a subcategory of "The First of Three Elements of One Artist Goal Plan".  Also, I hope I'm not infringing any copyrights by listing them here)  Please see the link above for expanded info and full blog post.  It's quite interesting.

1. Get better
2. Painting from life and on location
3. Seeing better as an artist
4. Continue developing a critical eye
5. Expanding my boundaries.

As far listing these as goals, "get better" and "Seeing better as an artist" is a little vague for me.  How do I put a check mark by that?  Also #4 is a little weak in my opinion.   I think I need something less abstract.  Something I can measure without question.  Something like, "enter a show".  That's something I can do - or not do.  And by Dec 31st of 2014 I can either put a check mark by it or not.

Vague or not it provided me with some sound, encouraging direction for my 2014 painting year.  And he (Roger Dale Brown, OPA) provides us with a little insight as to what each subcategory looks like.

I particularly like the quote he added with which coincides nicely with my yearly goal of time management.  I pasted it below:

“Nothing in this world can take the place of persistence. Talent will not; nothing is more common than unsuccessful people with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent. The slogan ‘press on’ has solved and always will solve the problems of the human race.”
- Calvin Coolidge 

So, persistence will be a subcategory for my 2014 goal plan under "time in the studio".  In fact, I may just print off a copy of this quote and put it next to my easel.